Inception Review

Christopher Nolan’s “Inception” has made the entire world sit right up and take notice of Mr. Nolan’s remarkable filmography. Inception is about to set a record of sorts for the maximum number of reviews on the internet for any Hollywood movie. Everyone has seen it and everyone who has seen it, seems to have written a review or two on it. Around 95.67% seem to love that movie. The remaining people attack the movie – mainly because of the urge to “be different” from the crowd.

If you are smitten by Inception in anyway, unless you are living under a rock in an inaccessible cave in African mountains, you have read about and seen the Calvin and Hobbes comic strip that has the same theme – A dream inside a dream. Nolan might have inadvertently got inspired by that comic strip though it is highly unlikely that Bill Watterson would file an IP theft case on Nolan. We are all reasonable enough to just laugh about this sheer coincidence and not take anything away from Nolan. His Inception screenplay was pure genius; an intelligent thriller that satisfies almost everyone (Yes I know only 95.67% liked that movie – Hence the word “almost”.) in the world. Nolan is God. Isn’t he?

Well, there’s this small “One More Thing” – (I admit I am no Steve Jobs to say the one more thing in the best possible way!)
Christopher Nolan seems to be heavily inspired by Calvin. It is not just “Inception”. Calvin’s heroics and ideas have seeped into at least two other movies of Nolan – The Prestige and The Dark Knight. While in The Prestige, Calvin’s “Duplicator” was put to good use, in The Dark Knight – Calvin’s “Transmogrifier” helped the Batman modify his Batmobile into a particularly suave motorcycle!

However, Bill W – the gentleman that he is – is probably not interested in taking Mr Nolan to court.
Any other C&H inventions that you think have inspired him? The comments space is all yours if you want to say something.

Disclaimer: This disclaimer is only for those who do not have the innate capacity to spot a satirical piece of work. This article is meant to be a joke. If the joke is lost on you, it is your problem – not mine J

Madrasapatinam Review

  A while back I had written a review which warranted a title and a description along the lines of “the film that has left me speechless”. At this point I’d like to retract my statement and reassign that title and description to Vijay’s Madrasapattinam. Yes that is bold statement indeed but it was my exact sentiments when I finished watching the film. To ensure that I didn’t simply gush about the movie aimlessly in this review I had postponed writing it for a while so as to  till  give myself time to gather my thoughts.However to my surprise after days of pondering upon the experience of watching Madrasapattinam I came to the very same conclusion and failed to find any major flaw(s) that would change my overall opinion of the film.
Vijay has delivered a historically significant piece of cinema. In its essence it is a period drama enveloped in a breath taking love story. The way in which the maker combines the two themes, that is, the history of Madras and the love story, is the real reason the film warrants a watch. He doesn’t make one theme any more obvious than the other. Nor does he attempt to send an overall patriotic message or blatantly pose the British Empire as the villain. (Of course he still does to a certain extent but that is not the point of the entire film) Rather the history and the love story are brilliantly intertwined so as to not make you feel overwhelmed by either.
Set in the days of Madrasapattinam i.e. the British Raj, the film is a story of a simpleton young Indian whose world is turned upside down when he falls in love with the British governor’s daughter. Their love story is lost in translation for a while until finally he dabbles in English and she more intently learns Tamil. As their love story progresses you also witness the life style of Tamils during the British Raj, how they went about their daily activities and how they dealt with the ruling empire. Naturally conflict arises when their love story is unveiled to the world which leads to one of the most phenomenally choreographed climaxes in the history of cinema, according to me.
Yes, yet again I make a bold statement but honestly it is no exaggeration. The climax which takes place at a railway station and on the night of India’s independence is intense, subtle and magical at the same time. As the nation rejoices in its newly found independence, two people fight for their independence. Independence to love. To live life as they want. To belong to the nation they’ve formed a bond with. The historical day of Independence becomes a background event that although significant, has no effect on their love story which is yet to reach its climax. Perhaps words aren’t enough to describe the phenomenal climax sequence but it definitely leaves you in speechless.
Apart from the climax, another one of the film’s most impressive trait is its ability to transport you into another world. The characters and the plot truly hypnotize you and draw you into the world in Madrasapattinam. Once it has finished you’re almost sad and devastated, not because the climax is somewhat tragic but because the journey has ended. It’s been quite a while since a film has made me feel that way.
The actors play a major part in bringing the magical story to life. Arya is to be praised for becoming the humble, cute and very down-to-earth Parthi so effortlessly. He’s an absolute natural. I have only seen three films of his but am convinced that he is indeed as versatile as they say, if not more. Amy Jackson surprises with a brilliant performance! After having witnessed countless foreign actresses in Indian cinema I’d become used to the fact that none of them can act and none of them seem to take our cinema seriously. Thankfully Amy changes my opinion as she couldn’t have put anymore effort into her role than she did.  She’s there 110% with brilliant dialogue delivery and as brilliant Tamil lip-syncing in the Ayure song. At this point I have to say that the usual Tamil heroines ought to be ashamed for not being able to do what this British talent pulled off with so much ease. Maybe she’ll inspire at least some to demand to dub for themselves and others to make more of an effort when lip singing or when mouthing the dialogues which will be later dubbed by an artist. The supporting casts, baring the British granddaughter, are as apt and contribute the overall success of the film.
Music by G V Prakash is a ‘movie soundtrack’ in its true essence as it has been created solely for the purpose of moving the story forward and not for the sake of having songs. Aayuire would be my favorite track and was amazingly picturised to my surprise. Of course Amy’s lip syncing made the song so much more enjoyable as I had TRULY had not expected that!  Background music is one of the most influential factors in creating the overall effect of the scenes and did so brilliantly in every scene particular the climax.
So as I said, I really cannot say much about the film as it has indeed left me speechless. All I can say is that despite the nearly 3 hours length the films manages to sweep me into its world so successfully that I’d forgotten all sense of time and space. To do that to someone who checks his watch by the minute and literally has no time to spare at this time of the university semester, I think is quite an achievement! I don’t think I can ever recommend a film more strongly! Without a doubt one of the best films of 2010 and surely has made its way on my ‘all time favourite’ list.

The Flamingos ...

Flamingos are very interesting birds. You know they're not born pink, right? Baby flamingos are a whitish-grey. They turn pink over time because of algae in the food they eat. So this kiddo on the right has some years to go (and lots of eating to do!) before he looks as pretty as that other guy on the left.

They have a funny way of feeding - they eat by holding their bills upside down in the water. See that deep curve on the bill? There's a specially adapted tongue inside the bill that filters tiny food items. In lesser flamingoes, the bill pumps water 20 times a second, while the tongue filters away like crazy!! They need about 60 grams of food a day, so no wonder they feed all the time.

Just in case you were wondering, the flamingo tongue tucked away inside that bill is large, fleshy and has little bristly projections. Yeew? The early Romans thought it quite a delicacy, anyway, and pickled flamingo tongue was on the menu at their parties! I kid you not.

Here are some more birds that have not yet turned fully pink. You can really see the curve of the bill beautifully in this photo. Babies are born without the curved bill, by the way. Strange huh? It takes some weeks for the bills to start curving. Until then, parents feed the chick. Both dad and mom produce a sort of "milk" - well, let's call it milk, even though it is red in colour. Babies store the pigment in their liver, which then gets deposited in their adult feathers as they grow.

You know another interesting thing about flamingo babies? They grow up in creches. Flamingos lay a single egg, on mounds of mud. When the eggs hatch, the chicks join a creche, a sort of group child-care facility which is marshalled by some adults. The adults lead them on foot to fresh water sources, because the chicks can't fly. Mom and Dad come to the creche, find their kid, and do the milk feeding thing. Hah! If only we had that sort of child-care to help Mumbai's stressed out working parents!

Here's a longer range view. These are mature adults, since they're all pink. Flamingos live for 40-50 years, did you know? I found that very surprising, because I always thought birds were short-lived. Goes to show how much I *really* know about birds!

Here's a still longer range photo. Look at the number of birds in the distance! How pretty they must look when they're flying!

Sura Review

Sura - Shark or Dolphin...or both?

Yummma! Yupppa! Podhum daa...

With these words, I left the cinema hall after watching Vijay's latest and 50th milestone movie in his film career: SURA. Sura means Shark. I agree. Quite as vicious a film as a shark is said to be.

Vijay's opening in the film came as a Dolphin-like stroke supposedly in the ocean. Didn't know sharks did that! Maybe sura also means dolphin. Ok, I can give them that.

What I cannot give this film & story, is ANY ounce of appreciation. Vijay is a fisherman, it seems. Pooh. Credibility goes downhill from here! Even Vadivelu's comedy was ...stupid. Only one scene was really funny -- the one with Vadivelu and Venniraadai Moorthy, but teh former spoiled it by repeating the funny act 5-6 times in succession!! Really poor.

Vijay. Couldn't he have given some amount of interest to the script he signed for his 50th film?? Disappointing. Boring dialogues but brilliant dancing! That's one thing he always has going for him. Also, he looked healthier in this film than he has in a long time. He just needs another Gillie now and then...and then, he can pull on with more Kuruvis and Vettaikaarans but God forbid he comes out with more Villus & Suras.

Tamannah. Really, the girl's OK. Forced to act like a bimbo but am sure I want to thank her for her correct lip-syncing, which is more than I can say for the villain. Aha. The Villain in Sura I THINK is the hero from the family-drama nice-Tamil-film-hit 'Aha' that released in...I think 1996-1997. Poor guy. Poor lip syncing / dubbing.

The story & presentation is best described as 'thoo-thoo-thuppaaki'. Stupid-O-Stupid.

It seems Ilayadhalapathi (what does it mean?) Vijay's movies have slumped into the following super-boring format:

• Talk of the hero (Vijay), followed by a 'Vijay-opening' scene.
• Song for some made-up victory celebration.
• Some drama usually involving the mother who dotes on son(Vijay) and is the epitome of...home-making / mommying.
• Villain-entry followed by a small triumph from Vijay's side over one of the villain's assistants / small-fry.
• Heroine entry and the weaving of a romance-plot that thins with every film.
• Song: Vijay and heroine. Show-off time for Vijay!
• Some fights, more songs, ill-placed comedy scenes and ...a challenge!
• INTERVAL (habbah!)
• More drama, comedy, fights, songs, fights, fights and fight till the end.
• Vijay wins any fight in the end never mind the number of villains or anything.
• The end

Sura is best described as a SHARK ATTACK! Stay outta theatres, people. I didn't. That's ONLY because a friend and I like to watch Vijay films even if JUST for the heck of it.

Psssst! BURRRP. The film's bad. 

Vinnaithaandi Varuvaaya Review

Yet again, a movie with a soul, from the talented director Gautham Menon. The movie is so realistic that it makes us a part of it instead of merely sitting and watching. The movie makes you feel so much. As the name implies the movie is worth crossing the skies for.

The movie is not just about falling in love. There is a fragrance of love in every frame. I enjoyed every single bit of the movie. The movie had so many moments of tenderness, emotions, love and pain. Everything so perfect, like a beautiful poem. Simbu and Trisha had an impressive chemistry between them!

Simbu portrayed Karthik, a straight-forward guy who is crazy about Jessie. Simbu as Karthik was mind-blowing. Unlike his other movies, he was mature and different. He lived Karthik. I wasn’t much of a Simbu fan, but now I must say that he impressed me with Karthik. I didn’t know that he could act so well. Gautham brought Simbu’s acting skills to the limelight. The central park monologue by Simbu was so touching, so emotional, and so beautifully done. Whenever Simbu sees the girl of his dreams, the intensity of his love that bursts out of his heart makes him collapse on the gate. Simbu did it wonderfully so that his simple action shows the intensity of his love better than words. I bet this movie is going to give Simbu a break.

Trisha portrayed Jessie, a complex woman who is torn apart between love of her life and family, a confused character as well. Jessie doesn’t even know what to do. She says, “Enakku enna venumnnu enakke theriyaadhu”. Trisha portrayed Jessie really well. Perhaps this is the finest character Trisha has ever done. Nalini Sreeraman’s costumes made Trisha look even more stunning and simple.

The first half of the movie also had some witty dialogues like when Gautham Menon dug himself with “English pesi tamizh padam edupaare, avara?” and “Avan avan lovekaga America poren, naan Alleppey poga mattena?” (Refers to Vaaranam Aayiram)

Ganesh, one of the producers, appearing as Simbus friend, takes us away with his one-liners.

The movie had an intellectual climax, and a wonderful ending. The ending was so perfect; the performance of the actors, the emotional tension between the characters, the way it ended, everything!

“Omana penne” song would have been better if it had been shot in Kerala. “Mannippaya” and “Anbil avan” really did suit the mood of the movie. I think the movie would have been more touching, if the flow of the story had not been broken by too many songs.

Manoj Paramahamsa's cinematography did magic! Each frame captured the essence of the scene perfectly. The camera angles were just perfect! The lighting blended with the mood of the movie.

I have always wondered what the title Vinnaithaandi Varuvaaya (Will you Cross the Skies for Me?) implied. After watching the movie, I think that it means Jessie is reluctant to come into the life of Karthik, crossing the distance between them, because she can’t decide what to do.

Once you get into the characters, you’ll love the movie. The movie is surely not a choice for people who are just looking for entertainment or breezy love stories.

3 Idiots Review

It’s been a while since 3 Idiots was released and all this while I had been resisting the insane urge to watch the movie for one simple reason: That I thought the makers did not give Chetan Bhagat his due credit. Today, however, my wife injected some sense into me by saying that I should watch it anyway and then take a call whether Vidhu Vinod Chopra was right in saying that the movie had a different storyline.

There is one point that everyone agrees on – that you have a right to comment on this controversy only if you have read the book and seen the movie. Hence I qualify to put forward my opinion. 3 Idiots is clearly based on Chetan Bhagat’s Five Point Someone. There is no denying that. The characters are straight out of the book. The setting is identical. Some sequences are reproduced almost verbatim. However, there is more to a movie than its characters and the backdrop. It is called “Story”. It is in this department that the movie and the book part ways. The movie has a completely new story line and is on a whole new emotional level altogether. While the book deals mostly with the three protagonists’ struggle to keep afloat in the IIT, the movie concentrates on the shortcomings of the education system; the rat race called “Competitiveness”. It talks about the silent killer – Stress and the need to acknowledge this as a serious problem.

My qualified opinion hence is that Abhijit Joshi and Raj Kumar Hirani deserve to be called the “Story Writers” of this movie. Chetan Bhagat also is an important contributor but I feel that the note “Based on Five Point Someone by Chetan Bhagat” is apt enough. This controversy is probably doing wonders to the sales of the book as well as the movie tickets. So I guess it is not hurting anyone – at least on a practical note.

Coming to the movie, it is a thoroughly enjoyable ride. There is not a single boring moment in the movie. You are served a complete thali of emotions. One moment you are laughing out loud listening to the speech of Silencer and then you are wiping tears off your eyes feeling for Raju. The songs are well choreographed and blend smoothly into the narration. The end is the most beautiful part of the experience. Set in picturesque Ladakh and Simla, you almost forget about the characters on the screen and concentrate on the breathtaking backgrounds. The twist in the last scene of the movie was totally unneeded and probably is my only complaint about the movie. For a movie that shouts from the rooftops that “Rat Race” and “Number One, Number Two” are bad, an end that believes in the same philosophy – doesn’t quite fit.

All in all – A must watch for anyone looking for good cinematic entertainment. I strongly recommend that you stop reading this blog and go watch the movie in the nearest theatre. It needs to be seen on the big screen.
Rating: Must Watch. 4/5

What's in a name?

I see a shop named 'Sperm' all the time. I suppose they sell menswear. It is not only amusing, it got me thinking about how I am not sure it's a great idea for a name ...you know, to do business. True one would easily remember it, but...kind of close to the 'taboo' line.

Speaking of which, I then recently saw another store that made me give it a second look, in sheer amazement because of the name. It said 'G-Spot Garments'. Supposedly for women. I mean ...honestly. (Harry Potter influence).

Would I actually tell people 'I got this T-shirt from SPERM...' and 'This top is from G-Spot!'.

Errrrr...

I don't think so! Not unless I was talking to people who would n't be aghast by these announcements, which number I can count off my fingers. What were they thinking when they named these shops so??

But then, I AM amused enough to consider shopping there. Besides, I heard SPERM's collection is very good!!!

Aayan Review

Aayan starts off on a high note. Right from the first scene you are taken on a roller coaster ride into the world of illegal trafficking of diamonds and pirated videos of yet to be released “Thalaivar” movies – a Dummy’s guide on money laundering, war trodden Africa and impossible and illogical stunts. The drama is so high voltage that you don’t even remember the cardinal rule of South Indian Cinema. Every movie has a heroine and six ill-placed songs.

Ideally speaking this movie doesn’t need songs. It doesn’t even need Tamannaah – double “a” “h” or not! However, judging by the response in the multiplex every time Ms T set the screen on fire, I can’t really blame the producers. After all this is all show business and they got to make money.

Sadly the same cannot be said about the other cardinal rule, the Six Songs Syndrome – which in this case has clearly tested the viewer’s patience and provided quite a few loo breaks for our perusal. I am not a great fan of song-less cinema and if you have Ms T with a body to kill for, you are well within your right to ogle at her and songs do provide a medium for that. However, it is important that the songs are conceptualized and inserted in the screenplay so that they don’t miss the context. This movie needs three songs. The remaining are absolutely unnecessary and act as power brakes to an otherwise interesting narration.

There is not much of suspense element in the story. Right from the first scene you know who is who and who will turn out to be who. The screenplay has so many holes that it is a futile exercise to even consider the remote plausibility of what is happening on the screen. Everyone is a caricature and has only one psychological trait – Either sugar sweet good or unbelievably bad. There is no middle ground at all. The only exception to this rule is the leading man’s right hand. He comes across as a real person and behaves like one.

A few years ago, when I started reviewing movies – I concentrated more on logicality of the screenplay and technical finesse of the production. However, over the years I have realized that Cinema is essentially an escapist medium and that it need not conform to the real life. People watch movies to get out of their daily grind. While some movies show the same exact daily grind in an interesting manner, the others thrive on the dreams of the average person. So when Mambo Number Five, who is an African diamond supplier, doesn’t use guns but lets his finest five thugs in a ten minute lengthy brawl with Suriya, with Suriya winning the burly brawl without upsetting his curly hairdo, you stare at the macho man incredulously and the idea of building a temple for Suriya in Tamil Nadu has already crossed your mind.

The film ends, as expected. The narration is strictly linear but the titles do talk about a “Non Linear Editor”. In fact I was all excited that I would be witnessing a Yuva or a Pulp Fiction. Sadly, this term is used to explain the visual effects that precede an in-place-quick-recap incident.

Ayan works because of the energy exuberated by the leading man Suriya, the sensuous Tamannaah, the surprisingly underplayed Prabhu in what can easily be one of his finest performances and last but not least – Mambo Number Five and his African den!

Mangalore - India

A part of a post does little justice to the magnificence of the gigantic idol of Shiva located on the banks of the Arabian sea. At 123 feet, it is the tallest idol of Shiva in the world. Designed to receive the rays of the sun throughout the day, Murudeshwara shines in an unparalleled radiance, delighting his large and eager audience.

After Saturday night’s rest, we reached the Murudeshwara temple on early Sunday morning. Apart from the main deity, we found two other deities interesting – Dattathreya and Jattigeshwara. After the darshan we headed up the stairs to learn and enjoy the history of the place. Right beneath the massive idol is a cave carved with murals narrating the origin of Murudeshwar (again in Kannada). If you prefer, there are guides outside the cave who would be willing to narrate the story with its engaging nuances in a language of your choice.

Our final and obvious destination was the beach beneath. With its fine sand and angular waves, it is easy for a bunch of travelers to forget their agenda and relax in the waters.

While we did not check out the Tipu Sultan’s fort in the vicinity, it might be a good place to check out if you have the time.


After breakfast at the RNS Highway Hotel we headed straight to Kollur.
Where to stay: The RNS Hotel on the beach. The air conditioned rooms can be a little too expensive at Rs.2000 per room for a day. Your best bet is the RNS Highway Hotel maintained by the same management on the way to Murudeshwara. Located 5 minutes from the beach, this newly constructed hotel has the facilities of a 4 star hotel and offers clean and fully furnished rooms (including TV) starting at Rs.300.
After Shiva, we headed to see Shakthi on the banks of the Sauparnika river in Kollur. It was in this Moogambikai temple that we waited for almost half an hour before we received the Darshan, despite having purchased special tickets @ Rs.15/- for a short-cut to see the deity. It is believed that Goddess Mookambikai, the unified form of Lakshmi, Saraswathi and Parvathi appeared before Adi Shankara in this very Kodachadri valley.

The lengthy queues, the gold plated crest and the “jerugandi” (or move quickly) orders inside the temple gives the impression that one is in Tirupathi. Being a part of the seven “mukti” sites in Karnataka, Kollur attracts thousands of devotees every day.

The temple hosts some rare idols like the panchamukhi vinayaka (five faced Ganesh) and a string of lingas such as the Pranalingeshwar, Partheshwar, ChandraMouleeshwar and Nanjundeshwar. More information is available here.

After a photo session at the Agumbe sunset point, our final call for the day was on the banks of the Tunga river, the beautiful Shringeri, one of the most prominent Hindu sites of pilgrimage in India. Words can do little justice to the striking scenic features of this place. There is little surprise that Adi Shankara decided to make Shringeri his home ground where he stayed and preached his principles of Advaita Vedantha. The Sharada temple in the premises houses the most pleasing looking deity bedecked in exquisite ornaments.

Nearby is the Vidyashankar temple, acknowledged as an architectural wonder, where the first rays of the sun corresponds with the zodiacal sign of the month that is engraved on its walls!

There runs a bridge across the river and on the other side is a dense rain forest. If not for our packed schedule, we would have loved to stay back in the lovely gardens of Shringeri where there are guest houses run by the temple administration. After an early dinner right outside the temple, we left to Horanadu, where we had planned to stay the night!

iPhone 3G 'Steve Jobs and “I am Rich!'

I have been reading a lot of articles about iPhone 3G these days. Somehow I can’t get enough of it. A couple of articles made me literally roll on the floor laughing.
Let me talk about them.

If you own an iPhone 3G, you can buy third party apps for it, through iTunes. However there is a catch. All such third party apps need to be approved by Apple first. And guess who approves these at Apple? According to a report, probably a rumor – It is none other than Steve Jobs himself. Apparently he cannot trust any of his deputies to do this highly skilled mission critical job. Hail the dictator!
Ok. Maybe we should not believe such preposterous rumors. What is evident is that the team which authorizes these iPhone applications is very small and is commanded by none other than Steve Jobs.
As a fall out of this, there is an insane wait period for getting your application listed on the App Store. It is around seven to eight months! There are hundreds of wonderful Apps and games out there waiting to be listed.
But maybe this is all for the greater good. When you buy an App from iTunes, you are assured that it is a great App and that it is not Joker! Yes? Hell no! A very creative App titled "I am Rich" has found its way on to the impregnable Apple iPhone Apps store. This happens to be the most expensive App ever – with a price tag of 999.99 USD. (Why this price? Because that the maximum price limit set by Apple for iPhone Apps).
All that this application does, is to display a bright red ruby on your phone. When you click on it, it displays a message "I am Rich." The idea is that if you have this application on your phone, it signifies how rich you are. You have spent close to a grand to earn that title.

What can be sillier than this? Guess what! Eight people actually bought it. Some of them were perplexed, it seems, because the application did nothing much. They complained to Apple whining that they didn’t buy it intentionally and that it was a mistake. Last checked everyone needed to enter his or her password and confirm the purchase on the App Store. So how they ended up buying the App "unintentionally" is a mystery best left to Sherlock Holmes.

Well, finally Apple relented and pulled the application off the shelf. It reportedly refunded the amount too.
My opinion? It is a very creative thought by the developer. If there are people willing to buy the application why take it off the list? The application has already undergone a screening test conducted by none other than Steve Jobs!
"I am Rich" may not be missed by people but there are a couple of other applications that met the same fate as this one. There’s an app that allowed your iPhone 3G to be used as a Modem so that you could surf the net from your laptop. This is in direct contradiction with the contract Apple has with AT&T. (Such a blasphemy! Intelligent Customers are taboo!) So the application was pulled out.

Question to Steve Jobs: How did it get into the App store in the first place?
The so called impregnable App Store apparently has a secret passage or two. Nothing else can explain the need for the "Kill Switch" that Apple put on the iPhone 3G. The phone calls home (Cupertino, 1 – Infinite Loop) periodically and checks a list of "Harmful" applications on the iPhone. If there are any such apps, the Kill Switch swings into action and kills the application on your phone – All this without your knowledge. (Till date, this list is empty by the way.)

Questions to Steve Jobs again:
1. If every application on the App Store is authenticated by Apple (Steve Jobs in particular), what is the need for the Kill Switch?
2. When you said "Harmful" who exactly is it harmful to? AT&T or the actual consumer?
3. What is the policy for killing an App or approving an App to be on the App Store?
4. If Apple can sell Apps to Indian Consumers, what is stopping it from selling iTunes music to the consumers in India?
5. Why disable Podcasts for Indian consumers?
Steve Jobs again is the talk of the town these days… apparently for non-technical reasons. His health has been called into question. The rumor mill is working over time saying Jobs has cancer. The investors are tense. The problem is, there is no strong second-in-line for Jobs. And if Jobs himself has to approve each and every App that wants to get on to the App Store, I don’t know what will happen to Apple in the post Steve Jobs era. I hope Jobs is doing fine. May he live a thousand years healthily. But may he remove the dependency on him as soon as possible.
A hunch at the back of my mind tells me that the iPhone 3G is a great entertainment product… Not just for the users but for the entire media world. They are not going to stop talking about it for years to come. And there will be many a rich "I am Rich" App that will entertain us – iPhonians or Not!